More About Klimt’s Judith and The Head of Holofernes
To all the people who considered Klimt to be a womanizer, Judith can be considered a way to answer them back.
The painting is Klimt’s take on the biblical painting and story of the same name.
Unlike the original painting, Klimt’s idea of Judith is of a gorgeous woman who uses her sexual powers as a weapon to destroy her enemy.
A powerful expression of feminity with a look on Judith almost inviting the viewers to see what she is capable of.
Her eyes seems to be half-closed with her lips gentle parting, an expression one expects from a person who has won after a long war.
The characters in the painting appear to almost tear and come out of the canvas making it tighter to look at.
There is a natural intimacy in Judith characters, as if she is almost in a touching distance from us. This makes the painting compelling yet forbidding at the same time.
With the increased autonomy of women in the 1900s, the idea of femme fatale was predominant among males.
But Klimt’s Judith was not a mere femme fatale, she was a savior who instead of swords, tricked the man with her sexual prowess.
What remains a typical Klimt characteristic is the use of golden shimmer across the painting. This time to depict the character alluringly dangerous.
It is a painting of a woman in power, a woman who has control and a woman who can go to any extend to avenge.
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